Can't Say A Better Day
Many of the inspirations for my songs come from clever, in the moment things that people near me express, which I then write down. One of my latest songs, Rock-n-Roll Thing came from a spontaneous statement of self-knowledge Emilio made at 3 years old. He told me during one of my music appreciation sessions with him. We were probably listening to The Runaways. Joan Je(Which he called The Runways.) "I'm a rock-n-roll guy. I'm a rock-n-roll thing." I was delighted by his confession, and of course, related deeply to it. Later it inspired my newest rock song, which I am currently in the process of recording. Learning how to actually record your music is yet a whole new skill. It's not easy. This is why I love improv.
Last year, Emilio was having a moment of feeling high on life and he came into the house from playing outside singing the hook for a great new song:
"Can't say a better day!" expressing his pure joy and enthusiasm for the present moment.
I immediately got out the guitar and this is what we recorded:
Speaking of kids rocking out, my mom sent me this clip today:
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I wasn’t even that nervous. Something in my body remembered what it felt like to perform rock n roll. My strings were rusty, and I knew I should have already changed them. It was our turn to go up.
I have a birthday wish that I’d like to share. I am taking the risk of not keeping it secret, because this is a wish that needs to be voiced in order to come true.
I have found that rock-n-roll is an expression that suits me, as it is about rebellion and carving out one's place in the world that didn’t exist before. True rockers are pioneers—wrestling with opposites: masculine and feminine, love and power, despair and celebration, creating space in the world with force, with a sound that is at once familiar and brand new. Rock-n-roll may not be for everyone, but it’s most definitely for me.
Last night, at La Esquina, I sang & played 19 of my original songs and 2 Bob Dylan covers, in two sets. The first set with an acoustic guitar (plugged in) and the second with an electric guitar (really plugged in.) With his hands, Lucas played the bass, and with his foot, played the bass drum. Or in the second set, he played the drums with his right hand, and bass lines on the synthesizer with his left hand. 2 for 4. Dos por Cuatro. Four instruments for two people. If you count voice as an instrument.
Recently I decided that it was time for me to transition from being a closet (or living room) musician to one that shared my music more with others. In other words, I am ready to let myself be heard.
These photos were taken when I was pregnant with Mio, seven years ago, six months after we moved to Baja. We were camping out in Elias Calles, and one day we got a little dolled up and drove into Todos Santos to watch the Oscars at Buena Vida (my favorite pizza place that is now closed.) I put my camera on the dashboard for this series. We will be making this same drive in a few weeks to perform our first gig at La Esquina, my favorite venue! This is a moment I have been dreaming about for a long time.
Last year, Lucas and Emilio collaborated on a spontaneous song project. Lucas played guitar while Emilio improvised a song--this was the result:
I have yet to make a recording of the Mariposa Night piece. But instead, I recorded myself reading one of my recent poems that I like, called A Spider's Poem. I read the poem in three different voices and then layered the voices in different ways--even though they overlap, the repetition of the same poem highlights the lines rather than masking them.
Zoë Dearborn
Zoë Dearborn is here to inspire humans to fulfill our deepest potential and highest purpose through her philosophy that combines spirituality, psychology, the arts & education, using her original songs, classes, essays, videos, dance, events, poems, talks & stories. She holds an MA in Counseling Psychology & Expressive Arts Therapy from California Institute of Integral Studies and a BA in Studio Art and East Asian Studies from Oberlin College. She spent her first thirty years in Brooklyn, and now lives off the grid, in the desert, with her husband and seven year old son in Southern Baja, Mexico.
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