ZOËLAB: THE LIFE AS ART BLOG

 
 
 
 
PERSONAL ESSAY/STORY Zoë Dearborn PERSONAL ESSAY/STORY Zoë Dearborn

The Story of Inside/Outside Ping Continues

Ping used to be a city dog, and so was I. He went on regular walks on hard side walks—sniffing the other dogs’ messages. He was cooped up all day in our apartment, and tried to escape every chance he got, and succeeded several times, creating heart-pounding adventures for us, and for him. Once, he was able to sneak into our upstairs’ neighbor’s apartment and finish their left over chocolate birthday cake, another time he ran across the street, a main highway in Oakland with very fast cars and ended up in trapped in someone’s backyard.

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PERSONAL ESSAY/STORY Zoë Dearborn PERSONAL ESSAY/STORY Zoë Dearborn

Who am I and what am I doing here?

It has never felt right to use traditional or singular words to describe myself: musician, artist, therapist, teacher, writer, coach. I can be all those things, but it's not just any one those things that I am trying to be in the world, but really a combination, a synthesis. An integration. I believe this is the new way to be in the world. I think specialization is becoming antiquated, and so are traditional career paths. The leaders and trailblazers of the new earth are pioneers, warriors, multi-passionates, transparent and vulnerable sharing their message through owning their personal story.

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MUSIC Zoë Dearborn MUSIC Zoë Dearborn

Can't Say A Better Day

Many of the inspirations for my songs come from clever, in the moment things that people near me express, which I then write down. One of my latest songs, Rock-n-Roll Thing came from a spontaneous statement of self-knowledge Emilio made at 3 years old.

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VISUAL ART/DESIGN Zoë Dearborn VISUAL ART/DESIGN Zoë Dearborn

Fun with Design

I LOVE DESIGN. I started playing with graphic design as a teenager. I made a wood cut print for the poster for the school play. In those days I was too shy and quiet to actually get into the plays--but I still tried. Instead I was cast as the dancer, or in this case the graphic designer!

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VISUAL ART/DESIGN Zoë Dearborn VISUAL ART/DESIGN Zoë Dearborn

After the Rain: a photo essay

Every summer, a bunch of our stuff gets ruined because we leave it outside before the rains come. This may seem shocking to some people. But we are developing a new philosophy that accepts the fact that we own far too much stuff, and that nature sometimes has to do her thing. I could be more careful, but somehow it hasn't happened yet. And it makes such an interesting art project to capture what nature does to culture. (And vice versa).

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VISUAL ART/DESIGN Zoë Dearborn VISUAL ART/DESIGN Zoë Dearborn

Latest ZOELAB Album Cover

One of my favorite things to do as a designer is make album covers. Garafön, my band with my husband, will be releasing 15 -20 songs over the next months, or years (we'll see how long it takes me to learn how to a producer/recording engineer on top of a songwriter, singer, guitar player), so I will have a chance to make an album cover at least 15-20 times. But in the meantime, I am making album covers for zoëlab.

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PERSONAL ESSAY/STORY Zoë Dearborn PERSONAL ESSAY/STORY Zoë Dearborn

self & other

The paradox of humanity is that we want to be ourselves and yet we want to connect with others. We are taught to believe we cannot have both. We come to feel that in order to be ourselves we might risk losing the other because the other is afraid of our otherness. And if we connect, then we must say goodbye to that which makes us totally unique--our point of view. Connection & Separation. And so it is a dance between the two as we evolve.

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ADVICE/HOW TO Zoë Dearborn ADVICE/HOW TO Zoë Dearborn

Working with the voices inside

Let's face it. It’s hard being an artist. There’s no one out there encouraging you. Telling you the importance of your work. There’s no one there to validate your soul urge that just won’t go away no matter how hard you to try to talk yourself out of it. The Self Police (one of my trio of inner critics) says things like: “You don’t need to put yourself out there.” “Your poetry is far too personal or abstract to mean anything to anyone else.” “It is so narcissistic to write about yourself.”

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PERSONAL ESSAY/STORY, ADVICE/HOW TO, QUOTE Zoë Dearborn PERSONAL ESSAY/STORY, ADVICE/HOW TO, QUOTE Zoë Dearborn

Flow on Faith

I’ve been going through a thing. I don’t want to call it a block because it’s not a block, exactly. Block implies to me that you are blank, with no ideas or nowhere to go. What I am experiencing is just a different phase of the creative process. As Lena Dunham’s character Hannah, in Girls says in her unapologetic, yet defensive way, when she is struggling in grad school : “I’m more in a pre-writing phase.”

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MUSIC, POEM Zoë Dearborn MUSIC, POEM Zoë Dearborn

Combining Poetry & Music Inspired by The Open Reading

I have yet to make a recording of the Mariposa Night piece. But instead, I recorded myself reading one of my recent poems that I like, called A Spider's Poem. I read the poem in three different voices and then layered the voices in different ways--even though they overlap, the repetition of the same poem highlights the lines rather than masking them.

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PERSONAL ESSAY/STORY Zoë Dearborn PERSONAL ESSAY/STORY Zoë Dearborn

What is Zoëlab?

Let’s change the world through our uncertain/heart-based faith in love and creativity. Together, let’s live in presence, imagining a future that lives up to our human potential as unique individuals and our interconnectedness humans living in a natural world. Let’s revive the dying living room arts of friendship, conversation, storytelling, letter writing. Let’s restore the arts to their proper place in culture—woven into the fabric of our everyday lives.

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PERSONAL ESSAY/STORY Zoë Dearborn PERSONAL ESSAY/STORY Zoë Dearborn

Life as Art Manifesto, First Try

When living Life As Art, we are not prescribing any dogma or adhering to any hierarchy. The one universal truth is is the universe itself. The totality. In this way, we acknowledge the source of our longing and the object of our longing is the same. We are simultaneously subject and object of our experience.

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